And so, my role in it really was to sort of guide everything to sound and be authentic to the style, as it were." "My life was in turmoil as this film happened.
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" Bourne was a nice distraction," he says. Jason Bourne was his first step back into his work. I'm sure if I hadn't met her, I would have maybe been more miserable, and then I might have written miserable music that would have never got me a gig." Here in Hollywood I was enjoying writing a lot of fun music, and I don't think I could have done that unless I had a fun relationship. "And some have been joyful, and some have been, you know, very dark. "Everything I write is probably two streams - one of which is all the music I've ever heard, and then all the experiences I've had," Powell says. In her weakened state following treatment, she lost her life. Powell's wife, an English artist named Melinda Lerner, had developed MDS, a bone marrow disorder that required a transplant. The second movement just went through, and everyone is enchanted with it." During the fifth movement, Powell responded. Serebrier says that one of his assistants was in London texting Powell about the progress of the performance, and wrote, "The public is totally immersed in it. Just a day before he'd written to Serebrier and the orchestra manager, saying he couldn't come because his wife had only a few days left to live. It's quite something."īut on the night of the premiere, Powell wasn't there. "The last movement, in particular, has a hypnotic effect on the audience, and we saw people crying.
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"The work is a great, great masterpiece - it will be picked up by many other conductors," Serebrier says. And he succeeded, says José Serebrier, who conducted the Philharmonia Orchestra in the world premiere and the studio recording. How could you have such a situation, where mankind was bringing forth such beauty, and mankind was also just diving into a hole so deep? The reality of the first World War was beyond anything anybody could express." "1914 was after this amazing period in European art - the Belle Époque, you know - and there was so much amazing music. "I'd been thinking about the first World War for many, many years," he says. The piece was Powell's attempt to come to musical terms with what plunged the world into such unprecedented violence. His oratorio, A Prussian Requiem, had its world premiere in London in March at a concert commemorating the 100th anniversary of World War I.
NPR JASON BOURNE SOUNDTRACK MOVIE
Jason Bourne is also Powell's first movie project since he finished his first major work for the concert hall. He was never doing it in any other way other than to try and find out what the hell happened to him." "I mean, I always felt, from film number one, that the character was never instigating violence. "Jason Bourne has always been a victim of violence," Powell says. "The definition of what a violent film, in my head, is one where the violence is to achieve the hero's success."
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"I didn't want to write music for movies where violence was the entertainment," he says. Then, six years ago, Powell stepped away.
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The movies, and Powell's propulsive, minimalistic music, had a big influence on the entire action genre - from the Fast and Furious series to the Daniel Craig James Bond films. But he hit his stride with the Bourne movies, starting with The Bourne Identity in 2002. He followed that with more action, including The Italian Job and Mr. His first full-length feature film assignment was the 1997 action movie Face/Off. Like the protagonist he helps propel, Powell has faced some challenges. In four of the five Bourne features, the music underlying the action has been the work of British composer John Powell.
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The character created by best-selling author Robert Ludlum has populated 12 novels, a made-for-TV movie, and now five big-screen adventures. Jason Bourne is back, though it might seem like he never went away. Composer John Powell, in a photo taken by his late wife Melinda Lerner.